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The compendium reflects the nineteenth-century Iranian taste for personal luxury objects and interest in scientific knowledge and trade with Europe during the Qajar period (1779–1925). The art and craft of enamel-making in Iran was influenced by European and Russian examples and continued to be produced with high quality throughout this era. [1]
Further Reading
Either hung from a chain or held in a pocket, the compendium is elaborately decorated with polychrome-enamelled floral motifs. It contains two compartments on each side, one small, one large. A compass is in the small compartment, while a universal equinoctial dial is found in the large one, along with the face of a crowned man surrounded by radiating sunrays, similar to representations of some historical Iranian kings.
The large compartment on the other side contains a painting of a horseman carrying a falcon on his hand, accompanied by a young servant. His attire and the composition of the painting are reminiscent of hunting scenes from the courts of India. On top, there is a small hollow compartment that might have been used as a snuff box.
— Bita Pourvash
Note
[1] Layla S. Diba, “Enamel,” Encyclopaedia Iranica 8, fasc. 4 (1998): 424–28.
Reference
Diba, Layla S. “ENAMEL,” Encyclopædia Iranica, VIII/4, Accessed September 18, 2018, http://www.iranicaonline.org/articles/enamel
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