Contemporary lacquer binding, with central medallion-portrait of Nasir al-Din Shah against gold vine-plants on dark red ground with outer frame of gold scrolls.
AKM276, Manuscript of Gulshan-i Raz (The Rose Garden of Mysteries), Front Cover

© The Aga Khan Museum

First folio page of the manuscript, Illuminated heading with red, pink, orange and blue floral scrolls against gold, with entwined pink cloud-bands and inscribed text-box with 6 lines of nasta`liq script in black reserved against gold underneath.
AKM276, Manuscript of Gulshan-i Raz (The Rose Garden of Mysteries), fol.1v

© The Aga Khan Museum

10 ruled lines of nasta`liq script in black reserved against gold, with floral illuminated panels at alternating ends of each line, within gold and blue ruled frames on light blue paper.
AKM276, Manuscript of Gulshan-i Raz (The Rose Garden of Mysteries), fol.113r

© The Aga Khan Museum

10 ruled lines of nasta`liq script in black reserved against gold within gold and blue ruled frames on light blue paper.
AKM276, Manuscript of Gulshan-i Raz (The Rose Garden of Mysteries), fol.119v

© The Aga Khan Museum

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Manuscript of Gulshan-i Raz (The Rose Garden of Mysteries)
  • Accession Number:AKM276
  • Creator:By Shaykh Mahmud b. ‘Abd-al-karim Shabistari (d. ca. 740 AH/1339–40)
  • Place:Tehran, Iran
  • Dimensions:11.3 x 18.2 cm
  • Date:dated Shawwal-Dhu’l-Qa‘da 1310 H/April–May 1893
  • Materials and Technique:ink, opaque watercolour, and gold on paper; lacquer binding
  • Made for Nasir al-Din Shah Qajar (r. 1264–1313 AH/1848–96), the manuscript Gulshan-i Raz (The Rose Garden of Mysteries) consists of one hundred and nineteen calligraphic pages, each with ten lines of gold-sprinkled nasta‘liq in the hand of Shukrallah Nameh-Nigar. The name of Nasir al-Din Shah Qajar is mentioned on the page preceding the last one in the manuscript, and his portrait is painted on the central medallions on the front and back exterior covers. The binding reflects the combination of tradition and modernity during the Qajar period. It features the customary composition of scrolling vegetal motif in gold on a dark background wedded to European-style portraits of the shah.

Further Reading

 

With slightly over a thousand couplets, Gulshan-i Raz is a mathnavi (a poem in rhymed couplets) and concerns the mystical doctrine of Sufism. The author, Shaykh Mahmud b. ‘Abd-al-karim Shabistari (d. ca. 740 AH/1339–40), describes at the beginning of his treatise that he wrote it in 717 AH/1317 immediately after he received fifteen rhetorical questions from Amir Husayn Husayni, a renowned Sufi from Khurasan. Shabistari wrote the answers to these single distich questions in the same meter that Husayni penned them. [1] Shortly after, in order to describe the discussed concepts further, he added some sections to the text and called the completed work Gulshan-i raz, a name he said was revealed to his heart. [2]

 

— Bita Pourvash


Notes
[1] Hamid Algar, “Golsan-e raz,” Encyclopaedia Iranica 11, fasc. 1 (2003): 109–11.
[2] Mentioned by Shabistari at the beginning of Gulshan-i Raz in the last two verses of the section entitled dar sabab-i nazm-i kitab va tarikh (“on the reason for composing the work and its date”).


References
Algar, Hamid. “GOLŠAN-E RĀZ,” Encyclopædia Iranica, XI/1, pp. 109-111, accessed September 18, 2018, http://www.iranicaonline.org/articles/golsan-e-raz

 

Note: This online resource is reviewed and updated on an ongoing basis. We are committed to improving this information and will revise and update knowledge about this object as it becomes available.

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