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Open to a double page spread, two Beige pages with three lines of large black script followed by five lines of smaller black script, with the third line in red. To each side of these smaller text frames are vertical panels decorated with gold-painted floral motifs. The text is enclosed in a gold lined frame on each page.
AKM319, Qur’an Manuscript, fol.21v-22r

© The Aga Khan Museum

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Qur’an Manuscript
  • Accession Number:AKM319
  • Creator:copied by Muhammad Fazl
  • Place:India
  • Dimensions:27 x 17.8 x 5 cm
  • Date:Jumada I 1093 / May–June 1682
  • Materials and Technique:opaque watercolour, ink, and gold on paper; tooled leather binding
  • This Qur’an was copied in Mughal India in 1682 by the scribe Muhammad Fazl, a pupil of Mulla Ilyas.[1] Its folios display three lines of large muhaqqaq script followed by five lines of smaller naskh script, the third or middle line of which is executed in red rather than black ink. These smaller text frames allow for the inclusion of lateral panels, which are ornamented with gold-painted oral motifs.

Further Reading


The significance of the moon in a Muslim’s life is influenced by the Qur’an, God’s word as revealed to the Prophet Muhammad between 610 and 632. The holy text states that the moon’s waxing and waning helps to measure time as part of God’s eternal plan. The first appearance of the new moon is the sign for the start of a new month, religious seasons, and feast days. Moreover, the splitting of the moon is associated with the start of the Last Judgment and is also considered one of the Prophet Muhammad’s chief miracles.

Many verses in the Qur’an address the moon. As can be seen in this folio (folio 22r), Qur’an 2:189 records individuals asking the Prophet Muhammad about new moons, to which he responds that “they are measurements of time (mawaqit) for the people and for pilgrimage (hajj).” In addition, 21:33 praises God as “He who created the night and the day and the sun and the moon; all [heavenly bodies] in an orbit are swimming.” Beyond the lunar calendar and God’s creative power, the Qur’an also describes the sun and moon as the two celestial luminaries. For instance, in 71:15–16, the holy text invites believers to ponder “how God has created seven heavens in layers, and made the moon therein a light (nur) and made the sun a torch (siraj).”


— Christiane Gruber

[1] See The Worlds of Islam in the Collection of the Aga Khan Museum, 44, Cat. No. 13.

Gruber, Christiane. The Moon: A Voyage through Time. Toronto: Aga Khan Museum, Toronto, 2019. ISBN: 9781926473154
Junod, Benoît, Sheila Canby, et al. The Worlds of Islam in the Collection of the Aga Khan Museum. Barcelona: “La Caixa” Foundation and Aga Khan Trust for Culture, 2009. ISBN: 9788499000138

Note: This online resource is reviewed and updated on an ongoing basis. We are committed to improving this information and will revise and update knowledge about this object as it becomes available.


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