The Museum is temporarily closed in support of public health efforts to stop the spread of COVID-19. Go here to learn more.
Folio page with a painting depicting two seated figures on a rug in front of a short peach-coloured tower. Between them are prayer beads, books, paper and a pen. To the right are two standing, armed figures; below are two additional soldiers, one leading a grey horse.
AKM284.15, Sa`di and His Dedicatee Abu Bakr b. Sa`d b. Zangi, Front

© The Aga Khan Museum

Folio page with 18 lines of black calligraphy set on a tan background. Thin gold lines divide various rows and phrases. The text is enclosed by a multi-coloured lined border, with a detailed gold-and-blue floral pattern with a border extending above the text to the top of the page.
AKM284.15, Sa`di and His Dedicatee Abu Bakr b. Sa`d b. Zangi, Back

© The Aga Khan Museum

Click on the image to zoom

Sa`di and His Dedicatee Abu Bakr b. Sa`d b. Zangi
Folio from the Manuscript of Kulliyat (Collected Works) of Sa`di (d. 1292)
  • Accession Number:AKM284.15
  • Creator:attributed to Aqa Riza Jahangiri
  • Place:India, Agra
  • Dimensions:41.8 x 26.2 cm
  • Date:ca. 1604
  • Materials and Technique:opaque watercolour, ink, and gold on paper
  • Appearing after the Bustan’s final page of text, this painting does not play a role in that poem’s narration, nor does it relate to the painting AKM284.14, which it faces. It might have been placed to mark the central point in the manuscript, or it might be a later addition altogether. On the reverse of the folio the text of the Gulistan begins, suggesting that this painting may have been completed on the blank page that has been left between sections in other parts of the manuscript. 

     

    See AKM284 for an introduction to the Kulliyat (Collected Works) of Sa'di, and other paintings from this manuscript.

Further Reading

 

The painting depicts the pious Sa`di with his prayer beads, book, pen and paper. He is seated with Abu Bakr ibn Sa`d ibn Zangi, the patron who is eulogized at the beginning of both the Bustan and the Gulistan. Through a skilful combination of tribute and alliance, this ruler of southern Iran had protected Sa`di’s beloved city of Shiraz from the Mongol incursions of the mid-13th century. He had also financially supported the poet, as the tray of gold coins between them indicates. Though not a Mongol, Abu Bakr wears Mongol headgear that identifies him as an ally of the invaders.

The painting has been attributed to Aqa Riza Jahangiri and is marked as page 180 in the manuscript.

 

— Marika Sardar

Note: This online resource is reviewed and updated on an ongoing basis. We are committed to improving this information and will revise and update knowledge about this object as it becomes available.

news_icon

Get connected. Stay engaged. Sign up for the latest updates from the Aga Khan Museum