Captioned painting, showing a palace courtyard. A figure in white sits on a raised dais in the centre-left, speaking to three smaller figures on a lower carpeted dais, with four additional figures seated on the grass. There is a peacock standing atop the palace walls.
AKM288.11, The Man Strays from His Course, Folio from a manuscript of the Ethics of Nasir (Akhlaq-i Nasiri)

© The Aga Khan Museum

Beige folio page with 12 lines of black calligraphy, enclosed by a border of thin lines in gold, blue, and brown. Ink from some of the bottom lines is partially smeared.
AKM288.11, The Man Strays from His Course, Folio from a manuscript of the Ethics of Nasir (Akhlaq-i Nasiri)

© The Aga Khan Museum

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The Man Strays from His Course, Folio from a manuscript of the Ethics of Nasir (Akhlaq-i Nasiri)
  • Accession Number:AKM288.11
  • Creator:Artist (painter attributed): Pahim Gujarati
    Author: Nasir al-Din Tusi, Persian, 1201 - 1274
    Created for: Nasir al-Din `Abd al-Rahim
  • Place:Pakistan, Lahore
  • Dimensions:23.9 cm × 14.2 cm
  • Date:ca. 1590-1595
  • Materials and Technique:Opaque watercolour, ink and gold on paper
  • In this part of the Third Discourse, Nasir al-Din Tusi talks about a man who distracts himself from the ‘perturbation of his soul’ with games and other pleasures; while he imagines that he is happy, in fact he is simply avoiding his problems. This painting might show the moment the man realizes he has been deceiving himself—the backgammon board has been overturned and the companions of the distraught-looking man respond in surprise.

    See AKM288 for an introduction to a manuscript of the Ethics of Nasir (Akhlaq-i Nasiri) and links to the other paintings within this manuscript.

    — Marika Sardar

Note: This online resource is reviewed and updated on an ongoing basis. We are committed to improving this information and will revise and update knowledge about this object as it becomes available.

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