Captioned painting showing a busy palace courtyard. In the centre-right, an astrologer sits underneath a red canopy, attended by three servants. A small crowd of women consult him. Around them, vendors sell food and other goods. In the background, behind the peach-coloured palace walls, there are rolling hills and trees.
AKM288.4.f103v_AKM288.4, Women Consult an Astrologer, Folio from a manuscript of the Ethics of Nasir (Akhlaq-i Nasiri), Fol.103v

© The Aga Khan Museum

Beige folio page with text divided into five boxes. The top and middle boxes contain two lines of black text. The second and fourth boxes contain three angled inscriptions. The final box contains three lines of horizontal text. All are enclosed by a border of thin multicoloured lines.
AKM288.4.f103v_back_20AKM288.4, Women Consult an Astrologer, Folio from a manuscript of the Ethics of Nasir (Akhlaq-i Nasiri), Fol.103r

© The Aga Khan Museum

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Women Consult an Astrologer, Folio from a manuscript of the Ethics of Nasir (Akhlaq-i Nasiri)
  • Accession Number:AKM288.4
  • Creator:Author: Nasir al-Din Tusi, Persian, 1201 - 1274
    Created for: Nasir al-Din `Abd al-Rahim
  • Place:Pakistan, Lahore
  • Dimensions:23.9 cm × 14.2 cm
  • Date:ca. 1590-1595
  • Materials and Technique:Opaque watercolour, ink and gold on paper
  • In the First Discourse, Section 10 Nasir al-Din Tusi discusses the removal of vices as a way to improve the condition of the soul, stating that the spirit needs to be maintained in the same way as the body (as illustrated in the previous painting, AKM288.3). One way to do this, the author suggests, is to avoid putting faith in false sciences such as divination and astrology. This lesson is illustrated with the image of an astrologer with the tools that that he uses to predict the future: an astrolabe and a manuscript, perhaps a falnama, a book of omens. In front of him stretches a long line of women waiting to find out their fortunes.

    See AKM288 for an introduction to a manuscript of the Ethics of Nasir (Akhlaq-i Nasiri) and links to the other paintings within this manuscript.

    — Marika Sardar

Note: This online resource is reviewed and updated on an ongoing basis. We are committed to improving this information and will revise and update knowledge about this object as it becomes available.

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