View of a circular bowl, decorated in brown paint over a cream background. The base is small and raised. The inside shows a man on a horse, with a band of arrows below a band of script decorating the rim. The outside is decorated with brown swirls.
AKM693, Bowl with Horse and Rider, Front

© The Aga Khan Museum

View of the inside of a circular bowl, decorated in brown paint over a cream background. The bowl is painted with the image of a man riding a spotted horse, with a spotted dog running alongside. The rim is decorated with a band of arrows below a band of script.
AKM693, Bowl with Horse and Rider, Top

© The Aga Khan Museum

Bottom view of a circular bowl, showing the raised, unpainted base, which is smaller than the rim’s diameter. The sides are decorated with brown painted swirls over a cream background. There is a sticker with “P.30” printed on it affixed to the base.
AKM693, Bowl with Horse and Rider, Bottom

© The Aga Khan Museum

Side view of a circular bowl, decorated in brown paint over a cream background. The base is small and raised. The rim of the bowl is decorated in a band of brown script. The exterior is decorated with brown swirls.
AKM693, Bowl with Horse and Rider, Side

© The Aga Khan Museum

Click on the image to zoom

Bowl with Horse and Rider
  • Accession Number:AKM693
  • Place:Iran
  • Dimensions:9.2 x 21.6 cm
  • Date:late 12th–early 13th century
  • Materials and Technique:fritware, painted in lustre on an opaque white glaze
  • In the Aga Khan Museum Collection is a set of ceramics representing the wide spectrum of lustre-glazed vessels from the Islamic world. Producing the glaze required knowledge of special formulas and access to scarce materials; firing it required mastery of a particular sequence of firings at certain temperatures and levels of oxygen. For these reasons, we can trace the movement of this highly specialized technique from one area to the next with some specificity. We can conclude, for instance, that this bowl depicting a horseman and his spotted mount, accompanied by a hunting dog was made after the lustre-glazing technique had developed in Iraq, moved to Egypt, and then travelled again to Iran. Partially restored, the bowl clearly reveals the influence of 12th-century Persian painting on ceramic production, an influence also evident in manuscripts. A band of stylized Kufic-style writing decorates its rim.

     

    — Marika Sardar

Note: This online resource is reviewed and updated on an ongoing basis. We are committed to improving this information and will revise and update knowledge about this object as it becomes available.

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