Painting portraying Barbad playing an 'oud and Nakisa playing a harp to an audience, with four ruled text columns.
AKM414, Khusrau and Shirin Serenading One Another,Folio from a manuscript of Khamseh (Quintet)

© The Aga Khan Museum

Four ruled text columns with two boxes with illuminated calligraphy.
AKM414, Khusrau and Shirin Serenading One Another Folio from a manuscript of Khamseh (Quintet)

© The Aga Khan Museum

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Khusrau and Shirin Serenading One Another ,Folio from a manuscript of Khamseh (Quintet)
  • Accession Number:AKM414
  • Creator:Author: Nizami, Persian, 1121 - 1209
  • Place:Iran, Shiraz
  • Dimensions:29.9 cm × 20.9 cm
  • Date:ca. 1560
  • Materials and Technique:Opaque watercolour, ink and gold on paper

This painting portrays Barbad and Nakisa, two historical musicians from the court of the Sasanian king, Khusrau Parviz (r. 591–628). The folio is from a manuscript of Khamseh (Quintet), written by the celebrated Persian poet Nizami.  
 
Hiding in the blue tent on the left, Shirin –Khosrau Parviz’s great love—discretely passes the story of their love to Nakisa, who proceeds to sing about it while playing the harp. 
 
Barbad—playing an ‘oud on the bottom right corner of the page—was a talented and high-rank poet-musician. He was a favourite of Khusrau Parviz, also portrayed here sitting in his white tent. It is said that Barbad had composed modes and melodies to sing to the king each day of the year and also on special occasions. The invention of pre-Islamic musical system of modes has been attributed to him.

Note: This online resource is reviewed and updated on an ongoing basis. We are committed to improving this information and will revise and update knowledge about this object as it becomes available.

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